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            | 01 | Masakhane |  |  |  | 04:43 | 
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            | 02 | Amaliya |  |  |  | 03:13 | 
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            | 03 | Pata Pata 2000 |  |  |  | 03:50 | 
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            | 04 | 'Cause We Live For Love |  |  |  | 04:36 | 
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            | 05 | Liwawechi |  |  |  | 03:31 | 
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            | 06 | Lindelani |  |  |  | 03:16 | 
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            | 07 | Homeland |  |  |  | 04:07 | 
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            | 08 | Umhome |  |  |  | 05:10 | 
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            | 09 | Africa Is Where My Heart Lies |  |  |  | 04:41 | 
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            | 10 | In Time |  |  |  | 05:00 | 
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        Homeland 
Artist  Miriam Makeba 
Album Title  Homeland 
Date of Release  Apr 25, 2000  
AMG Rating    
Genre  World 
Tones  Energetic, Romantic, Passionate, Provocative, Confident, Organic, Earthy, Exuberant, Stylish, Summery 
Styles  South African Folk, South African Pop, African Folk, South Africa, Worldbeat 
Time  42:12 
                         
AMG EXPERT REVIEW: Now back home in South Africa, Makeba hadn't done much recording in the 1990s prior to this release, so Homeland amounts to a way of introducing herself to new audiences and updating older fans. Alas, the voice of the mighty Makeba, who was in her late sixties when this CD was recorded, frequently sounds worn and quavery (these sessions may have been an aberration, for she could still summon much of her spine-chilling power of old at the Hollywood Bowl in summer 2000). But for those who followed her turbulent career through the struggles over apartheid, it will be heartwarming to learn that she has finally found some measure of peace in her life. The English lyrics (others are sung in Zulu) sing about coming home, healing broken hearts, living for love, and children. In the album's most touching gesture, Makeba's granddaughter, Zenzi Lee, aimed the lyrics of the title track right at her; the dauntless freedom fighter sounds so glad to be home. As a memory refresher, you also get "Pata Pata 2000," yet another retooled edition of her international hit from 1967, not radically different from previous versions except that Lee lends a hand with the lead vocals. The backing tracks are mostly low-key, controlled, contemporary in feeling; they don't ignite, but they don't get in the South African diva's way either.